3 Giclée Prints, 20 x 270 cm

香港長卷 Hong Kong Handscroll reinterprets the handscroll format of Chinese paintings through pinhole photography, an optical phenomenon that can be traced to Mozi’s writings. By exposing the entire roll of 120 film without closing the shutter, sequential scenes merge continuously. The process eliminates the photographic borders that define an image, producing a field of view in which spatial and temporal boundaries are dispelled.

The photographs reject the single-point perspective and framing rooted in Western art discourse. Hong Kong Handscroll attempts to align with Chinese pictorial traditions, in which multiple viewpoints unfold as the scroll is encountered. The work destabilises the Western conception of linear, measurable time, producing a continuum of light through indistinct shutter durations and overlapping spatial distributions.