無題(卷軸) Untitled (Handscroll) reinterprets the handscroll format of Chinese paintings through the camera obscura, an optical phenomenon traced to Mozi’s writings. By exposing the entire roll of film without closing the shutter, sequential scenes merge continuously. The process eliminates the photographic borders that define an image, producing a field of view in which spatial and temporal boundaries are dispelled.

The photographs reject the single-point perspective and framing rooted in Western art discourse. Untitled (Handscroll) attempts to align with Chinese pictorial traditions, in which multiple viewpoints unfold as the scroll is encountered. The work destabilises the Western conception of linear, measurable time, producing a continuum of light through indistinct shutter durations and overlapping spatial distributions.